Young Photographers 2024
A.I., Income Inequality, and Labor Organizing: Two New Exhibitions Take on the World of Work
John Vincler reviews two contemplative New York gallery shows, at Bridget Donahue and Maxwell Graham, on the lives of working people and, maybe, the origins for our current political moment.
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How Cameron Rowland Became the Leading Land Artist of the 21st Century
As the ground shifts beneath us, Johanna Fateman writes about the radical practice of one of the most important artists working today.
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In Brief The Critics' Table Art
Frazadas, Tetrominoes, and Seagulls: Our Critics Share an Essential Guide to This Month's Tribeca Shows
The Critics' Table Close Looks Art
Pippa Garner Showed Us How to Be Free
The Critics' Table The Big Picture Art
The Wow Factor: Brian Droitcour on Art and the Immersive Experience Industry
The Critics' Table Close Looks Art
Painted Printed Matter: Johanna Fateman on Marlon Mullen’s MoMA Debut
The Critics' Table The Big Picture
Birth Scenes, a 70-Foot Sunflower, and Censorship: Our Critic on the Best (And Worst) Art of 2024
The Critics' Table The Big Picture Art
The Year in Art: Our Critic's Top 10 Moments
The Critics' Table Art Literature
The Year in Art Books: Our Critics Pick Their Favorite Titles
In Brief The Critics' Table
Goofy Gadgets, Poetic Photo Collages, Slurping Sound FX: 3 Must See Gallery Shows to End the Year
The Critics' Table The Big Picture Art