The Critics' Table
Kara Walker’s Cut-Outs, Now in Color: Poet Pamela Sneed Reflects on the Artist’s Powerful New Body of Work
The critic writes on the artist's large-scale collages, intimate watercolors, and bronze busts now on view in New York at Sikkema Jenkins & Co.
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Our Critic Resorted to Trespassing to See This Artist’s Work. Here’s How You Can See It—and the Exhibition It’s a Part Of—(Legally)
John Vincler praises "Energies," a new exhibition at the Swiss Institute, as one of the "boldest curatorial feats" in his recent memory.
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