The Irish-born, Kyiv-based photographer is capturing the daily reality of life under Russian siege.
Self-portrait by Conall Kearney
Self-portrait by Conall Kearney. Photography courtesy of the artist.

This feature is part of CULTURED‘s 2026 Young Photographers list. This year’s list spotlights 14 artists aged 30 or younger from around the globe who are united by a relentless curiosity and an understanding that the photographer’s most important job is identifying what deserves to be seen.

AGE: 29
BASED IN: Kyiv, Ukraine

Irish-born, Ukraine-based Kearney’s photographs show the lived realities of wartime in a body of work compiled over the last four years. In one, soldiers stand poised. In the next, a baby lies gently in its stroller.

What questions does your work ask?

It really isn’t so much about questions. It’s more of a reminder—yes, of course there is beauty in this world, but also a great level of brutality. I want to show that strange coexistence and make people question their role in this dichotomy.

Who are your visual influences?

Vietnam War-era photographers such as Tim Page and Don McCullin have had a massive influence on me. The biggest is definitely Tim Hetherington in terms of how to portray conflict in an unorthodox and empathetic way. I find that style fascinating and inspiring.

What do you want your work to achieve?

I want to make people aware of what is truly happening in the world, whether that is in your own city or on a far-flung battlefield.

What has been your most challenging subject to photograph so far?

Anything related to refugees or injured civilians in the middle of combat. Their lives change in a second, just due to being in the wrong place at the wrong time, stuck between two clashing sides. As a photographer, I also find that these subjects have been easily exploited throughout the history of conflict photography, and I do not want to be associated with this practice.

What’s the craziest situation you’ve shot in?

Two years ago, I was with a squad of Ukrainian soldiers when the village we were in was surrounded by the Russian military. This turned into a 14-hour, close-quarters gunfight, and we all barely escaped with our lives. Thankfully, all I suffered was a broken camera and a very small shrapnel wound.

 

Meet more of CULTURED‘s 2026 Young Photographers:

Photographer Alec Dai Once Shot a Series Naked, in a Basement, Under a ‘Weird Portrait of Jesus’

Many Photographers Have Been Nominated for a Pulitzer. This One Was Nominated for a Grammy.

Photographer Arielle Gray Wants Her Subjects to Be Unafraid of Softness

For Queer Photographer Ben Jastremski, ‘Every Image I Make Is the Permission I Was Never Given’

Meet the 30-Year-Old Mongolian Photographer Documenting Changing Borders

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