
Four years ago, Paris Starn was perhaps best known for her fashion line, Paris 99, which was inspired by her great-grandmother’s cooking aprons. But when the clothing brand shuttered during the pandemic, she found herself with more time on her hands. “Everyone in my house was working,” says the 28-year-old, who happily took on the responsibility of “feeding everybody.” She began cooking and baking all day, then photographing and sharing her creations on Instagram. It was never meant to be a business, Starn says, but it quickly became one.
Focused primarily on baking, Starn’s work today spans sweet and savory dishes, which the art history graduate student captures in a realistic, vanitas-esque style reflective of the amount of time she spends in museums. Drawing inspiration from both of her grandmothers—one was a homemaker who sparked a love of baking in Starn, the other was an antiques dealer—the chef transports her audience to different eras while injecting a modern playfulness that lightens each dish.
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The ornate cakes that Starn designs echo the banquet tables in paintings on display in New York’s Metropolitan Museum of Art. It is through unique fearures like watermelon and bow-shaped meringue, though, that she imbues her own sense of style in each creation. Oblong cakes are piped with intricate hems; balls of braided bread are peppered with slivered figs.
For those not yet able to taste a Starn-baked delicacy, the culinary creator immortalizes her cakes with her camera. Showcasing her expert plating—including the one-of-a-kind dishware carefully paired with each creation—as well as her adroitness with pastry, each social media post she makes has a close-cropped ruggedness that documents her work in its final, permanent form. The act is reminiscent of the launch of a runway collection: each one-of-one piece exists only temporarily on the plate before it’s whisked away for private consumption. Starn’s work is playful, decadent, and always pleasurable.